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jedes Lebewesen ist gleichberechtigt und frei - translation to English
CHURCH CANTATA LONG ATTRIBUTED TO JOHANN SEBASTIAN BACH
BWV 50; Nun ist das heil und die kraft; Nun ist das Heil und die Kraft
jedes Lebewesen ist gleichberechtigt und frei
every being is equal and free, every living thing is equal to every other living thing and all are inherently free to do as they wish
every being is equal and free
jedes Lebewesen ist gleichberechtigt und frei
sturm und drang
![A silhouette of the theatre director [[Abel Seyler]]](https://commons.wikimedia.org/wiki/Special:FilePath/Abel Seyler silhouette - Basel.svg?width=200 "A silhouette of the theatre director [[Abel Seyler]]")
![[[Johann Anton Leisewitz]]](https://commons.wikimedia.org/wiki/Special:FilePath/JALeisewitz.jpg?width=200 "[[Johann Anton Leisewitz]]")
.jpg?width=200 "Johann Georg Hamann")
PROTO-ROMANTIC MOVEMENT IN GERMAN LITERATURE AND MUSIC
Sturm und drang; Sturm-Und-Drang; Storm-and-Stress Period; Storm and Stress; Sturm-und-Drang; Sturm and drang; Storm and urge; Sturm and Drang; Sturm Und Drang; Storm And Stress; Sturm and Drang Society
Sturm und Drang, nationalistische Literaturbewegung in Deutschland Ende des 18ten Jahrhunderts die die Literatur als Ausbruch menschlicher Emotionen sah im Widerstand zu Formalismus in Geist und Gesellschaft
Definition
-ist
(-ists)
1.
-ist is used in place of -ism to form count nouns and adjectives. The nouns refer to people who have particular beliefs. The adjectives describe something related to or based on particular beliefs.
Later he was to become famous as a pacifist.
...fascist organisations.
SUFFIX
2.
-ist is used to form count nouns referring to people who do a particular kind of work.
Susi Arnott is a biologist.
SUFFIX
3.
-ist is added to nouns referring to musical instruments, in order to form nouns that refer to people who play these instruments.
...Hungarian pianist Christina Kiss.
SUFFIX
Wikipedia
Nun ist das Heil und die Kraft, BWV 50
Nun ist das Heil und die Kraft (Now is [come] salvation and strength), BWV 50, is a choral movement long attributed to Johann Sebastian Bach and assumed to be part of a lost cantata.
The text and scoring point towards its being written for a Michaelmas celebration. In Leipzig, where Bach was employed from 1723, the feast was celebrated with large-scale church music and also a trade fair. American Bach scholar William H. Scheide suggested that the work was written in 1723, Bach's first year in the city. However, the exact dates of composition and first performance are unknown.
